Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

19.4.09

FAKE IS THE NEW REAL

The United States, mapped by drawing lines between cities with the same name.

Neil Smith's art, as shown on his website, fakeisthenewreal.org, consists largely of abstract maps depicting real places that are created by connecting real data points through bizarre relationships. When one considers that Smith is also an urban planner, this methodology seems like a (il)logical extension of his profession. Smith operates from the quintessential perspective of a planner - in what is literally the "plan view" (aerial) , while manipulating data points such as transit stations, public schools, buildings (by height), cities, etc. The "art" part of it comes from the connections and comparisons he makes. For example, Smith has created maps by such arbitrary spatial relations as connecting cities with the same name with lines (shown above), drawing a line through a plotting of all the New York public schools in numerical order, comparing transit systems at the same scale, drawing lines through buildings in the order of their heights etc. In this way he give us a lens for understanding new (il)logics of familiar landscapes. This is good mental/visual exercise. Check it out.

SKATEBOARDING AS A TRANSFORMATIVE APPROACH TO ARCHITECTURE


From http://www.lifeactionrevival.org/skatearchitecture.html :
Skaters are the sensualists, the kinesthetic lovers of space and form. Architectural theorists rarely grasp the significance of skateboarding, at least not in regards to their field and art. Skateboarding is a high model, a sharp-figure exemplar, of an intimate and transformative approach to architectural experience. A gleaming gem of agent-within-structure.

I'll be frank: streetskating is, I think, the most successful and contagious form of urban détournement, re-appropriation, and transformative action that we have. Streetskaters are the other great horde of architectural fetishists. The fetish is slightly different in aspect but not in intensity. Perspectivally, architects are generally schooled to gaze upward, and cultivate an awe of form. Skateboarders remain at eye-level, street-level, on the plane of human actions. Architects strive to behold totalities; skaters fixate, on smaller parts— they look closer, at details and textures and otherwise unremarkable typologies.

Colin says: R I P P E R !